WORK | ines-nunes

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Museu Nacional Soares dos Reis X Quarteirão Criativo
Curated by Inês Nunes, 2024 - Exhibition at the Soares dos Reis National Museum in partnership with Quarteirão Criativo - Afinidades na Joalharia Contemporânea with the participation of Bombarda artists to Open Call - Firmino by Soares dos Reis competition - There will be a winner.
Graphic design by Estúdio Caxa.

Museu Nacional Soares dos Reis X Quarteirão Criativo
Curated by Inês Nunes, 2024 - Exhibition at the Soares dos Reis National Museum in partnership with Quarteirão Criativo - Afinidades na Joalharia Contemporânea with the participation of Bombarda artists to Open Call - Firmino by Soares dos Reis competition - There will be a winner.
Graphic design by Estúdio Caxa.

Ponto de nó
Inês Nunes, 2019
My tribute to those who distinguish us for innovation, quality and accuracy. The design, the mark, from technique to method, to the uniqueness of the point in Portalegre Tapestry Manufacturing.
Exhibition poster image from I International Contemporary Jewellery Biennial at Portalegre's Tapestry Museum.
Materials painted aluminum.
Curator by Diana Silva
Picture by Pedro Sequeira.

Ponto de nó
Inês Nunes, 2019
My tribute to those who distinguish us for innovation, quality and accuracy. The design, the mark, from technique to method, to the uniqueness of the point in Portalegre Tapestry Manufacturing.
Exhibition poster image from I International Contemporary Jewellery Biennial at Portalegre's Tapestry Museum.
Materials painted aluminum.
Curator by Diana Silva
Picture by Pedro Sequeira.

União

União

Blow me

Blow me

Step on it!
Inês Nunes, 2023
Green painted leather sole and Velcro - Bracelet.
Pictures by Inês Nunes.
Exhibition 25 years

Step on it!
Inês Nunes, 2023
Green painted leather sole and Velcro - Bracelet.
Pictures by Inês Nunes.
Exhibition 25 years

Close and distant
Inês Nunes, 2018
Close and distant
Versatile pins and earrings in the active relationship between object and body.
Earrings and pins. Rubber and Steel.
Pictures by Tamia Dellinger
Versatile pins and earrings in the active relationship between object and body.
Picture by Tamia Dellinger.

Close and distant
Inês Nunes, 2018
Close and distant
Versatile pins and earrings in the active relationship between object and body.
Earrings and pins. Rubber and Steel.
Pictures by Tamia Dellinger
Versatile pins and earrings in the active relationship between object and body.
Picture by Tamia Dellinger.

Relação
Inês Nunes, 2023
Earrings - anodised aluminium
A work about the past and the present.

Relação
Inês Nunes, 2023
Earrings - anodised aluminium
A work about the past and the present.

Mutação
2022
Silver earrings and ring, ping pong balls and nylon.
Pictures by Ana Jorge Monteiro.

Mutação
2022
Silver earrings and ring, ping pong balls and nylon.
Pictures by Ana Jorge Monteiro.

Picture by Gonçalo Conde.

Picture by Gonçalo Conde.

D. Maria II
Queen of Portugal
From culture to aesthetic taste
From revolution to modernity
The Arts

This proposal focuses on the ‘Casquinha table and dessert service (80 pieces)’ from 1836.

I emphasise the white and gold contour lines of the plates and platters, which I interpret as a ‘sample of artistic heritage’, in the potential of each image, symbol and object at the service of us all.

Exhibition of Maria II at the Ajuda National Palace and Catalogue Maria II from Brazilian princess to queen of Portugal 1819-1853, in Section 8 - Objects and experiences of the Portuguese court.
Inês Nunes, 2022
Projects - stainless steel.

D. Maria II
Queen of Portugal
From culture to aesthetic taste
From revolution to modernity
The Arts

This proposal focuses on the ‘Casquinha table and dessert service (80 pieces)’ from 1836.

I emphasise the white and gold contour lines of the plates and platters, which I interpret as a ‘sample of artistic heritage’, in the potential of each image, symbol and object at the service of us all.

Exhibition of Maria II at the Ajuda National Palace and Catalogue Maria II from Brazilian princess to queen of Portugal 1819-1853, in Section 8 - Objects and experiences of the Portuguese court.
Inês Nunes, 2022
Projects - stainless steel.

Ar de Lisboa

Ar de Lisboa

Fan
Inês Nunes, 2019
paper and steel.

Fan
Inês Nunes, 2019
paper and steel.

Crosses (move)
Inês Nunes, 2016.
The cross is a geometric figure and one of the oldest human symbols.
It is divided by two lines crossed at 90o and symbolises the division of the world into four points. The vertical line represents divinity and the horizontal line represents the world.
Crosses move and are available in silver and gold.
Picture by Diogo Ramalho.

Crosses (move)
Inês Nunes, 2016.
The cross is a geometric figure and one of the oldest human symbols.
It is divided by two lines crossed at 90o and symbolises the division of the world into four points. The vertical line represents divinity and the horizontal line represents the world.
Crosses move and are available in silver and gold.
Picture by Diogo Ramalho.

Links

Links

Fresh
Inês Nunes, 2017
white marble and silver
The freeness wearing on your body like an icon - White marble pins and cufflinks.

Fresh
Inês Nunes, 2017
white marble and silver
The freeness wearing on your body like an icon - White marble pins and cufflinks.

Escudo / Mask, 2020
The body’s defensive weapon to protect us from the enemy’s ferocity.
Materials: Aluminium

Escudo / Mask, 2020
The body’s defensive weapon to protect us from the enemy’s ferocity.
Materials: Aluminium

Apontamentos / notes

Apontamentos / notes

Toque

Toque

Drops

Drops

Cross

Cross

Work in progress
Inês Nunes, 2018
Recycled materials

Work in progress
Inês Nunes, 2018
Recycled materials

Hoops

Hoops

Body language, 2018
Wood, ceramics, rebuilt coral, VD type electricity pipes and steel wire.
A parallelism between the technical infrastructure of the building and the digestive tract - from the mouth to the anus in human anatomy. Be done a digestion in the understanding of Jewellery.

This work has been developed since 2018.

Exhibitions:
Up Till Here at Reverso Gallery (2019)
Press:

Body language, 2018
Wood, ceramics, rebuilt coral, VD type electricity pipes and steel wire.
A parallelism between the technical infrastructure of the building and the digestive tract - from the mouth to the anus in human anatomy. Be done a digestion in the understanding of Jewellery.

This work has been developed since 2018.

Exhibitions:
Up Till Here at Reverso Gallery (2019)
Press:

Panties

Panties

Right Position version II,
2018

Right Position version II,
2018

Abraços - moment II and full black

Abraços - moment II and full black

Carniceiras, 2018

Carniceiras, 2018

Lisbon under construction
Inês Nunes, 2017
The signaling, warning of change. The city that builds itself - Body and jewel in public space.
Signaling tapes, pvc and antiallergic steel.

Lisbon under construction
Inês Nunes, 2017
The signaling, warning of change. The city that builds itself - Body and jewel in public space.
Signaling tapes, pvc and antiallergic steel.

Drawing
Inês Nunes, 2000
picture C.B. Aragão

Drawing
Inês Nunes, 2000
picture C.B. Aragão

Hoops

Hoops

PENSO
Inês Nunes, 2008
10 years PIN exhibition.
Picture by C.B. Aragão

PENSO
Inês Nunes, 2008
10 years PIN exhibition.
Picture by C.B. Aragão

Cover_feb.2015 for umbigomagazine.com
Earring by Inês Nunes
Picture by Joana Soda, assisted by Filipe Vera-Cruz.

Cover_feb.2015 for umbigomagazine.com
Earring by Inês Nunes
Picture by Joana Soda, assisted by Filipe Vera-Cruz.

Minimum

Minimum

Inês Nunes, 2006
silver (purifying agent) straw.
*The same as enthusiasm, ecstatic.
Exhibition
4 Points of Contact between Lisbon and Rome Project
To each culture its jewel Lisbon and Rome 2006

Inês Nunes, 2006
silver (purifying agent) straw.
*The same as enthusiasm, ecstatic.
Exhibition
4 Points of Contact between Lisbon and Rome Project
To each culture its jewel Lisbon and Rome 2006

Apontamentos / notes

Apontamentos / notes

Bijoux par la Roche - Posay

Bijoux par la Roche - Posay

Pin anonimum

Pin anonimum

More works
Inês Nunes, 2018

More works
Inês Nunes, 2018

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